C’i:talu tu Snuneymuxw mustimuxw ni hawkwush us tun tumuxw.
We give our highest gratitude and appreciation to the people of Snuneymuxw for allowing us to gather on their territory for our work
Welcome to the OUR HYBRID FUTURE Symposium portal!
On this page you will find all recordings and additional information related to the sessions of the OUR HYBRID FUTURE Symposium taking place between Thursday September 9th, 2021 to Thursday, September 23rd, 2021.
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Explore the Sessions
Exploring the new digital territories for Contemporary Dance with Gilles Jobin
Exploring the new digital territories
for Contemporary Dance with Gilles Jobin
Contemporary dance offers an ideal field for the artistic exploration of new imaging technologies. In this lecture Gilles Jobin will present the creative process behind his recent virtual works. Based on his recent experience with immersive volumetric technologies he will share with the participants his vision about the new digital territories for dance.

Creating Immersive Dance in 360 and XR Media with Lee Erdmann
Creating Immersive Dance in 360 and XR Media with Lee Erdmann
Here we are in 2021 in the magic space where technology, media and performance congregate. The pandemic has fueled the innovation of new methods of making and viewing performance into warp speed, and artists are seeking new methods and experimenting with it all. VR headset uptake has spiked and the immersive media market is booming across all sectors, set to be the fastest growing media platform by 2025 with 360 video at the top. Training, education, medicine and healing, manufacturing…all are seeing the value of remote access immersive experiences. Prosumer equipment is affordable and accessible, and social media has moved into the Metaverse as have conventions, festivals and even dance competitions. The industry framework is here and ever improving in cost and accessibility for dance and performance creators to take advantage of it by increasing access to the arts, lifting up independent artists and giving performing arts a global audience at a fraction of the live ticket price. Let’s talk about why performing art needs immersive media and why XR needs the expertise of performing artists, the crossover between dramaturgy and cinematography, and how anyone can get started creating and innovating.
Firehorse and Shadow with Andrea Nann
Firehorse and Shadow with Andrea Nann
Firehorse and Shadow, an interactive web performance, combines elements of contemporary dance, shadow puppetry, interactive engagement, animation, film, and theatre to take the audience on a journey amongst the stars.
The piece explores family lineage with a focus on the dualistic yin and yang elements expressed within the bodies, lives and choices of three generations of women. Working against and alongside the hearsay of family stories and Chinese medicine cycles and charts of Zodiac Animal signs, two performers weave together passages of remembering and forgetting, inviting the audience into an intimate reanimation of familial memory. The performance is designed for computer users to experience an intimate, interactive and personalized performance journey.
A graduate of York University’s Department of Fine Arts, Andrea was a member of the Danny Grossman Dance Company for 15 years from 1988-2003 where she created, performed and taught major roles from te works of Mr. Grossman and guest choreographers. Over a 31-year career in contemporary and modern dance, she has contributed to the creation of new works by over 60 dance/theatre creators. She continues to appear as a guest artist with Peggy Baker Dance Projects, Tribal Crackling Wind and Volcano Theatre. Long-time creative collaborators include dance artist Sarah Chase, musician Gord Downie, and writer Michael Ondaatje. From 2004-2015 Andrea created/produced 9 editions of multi-arts program The Whole Shebang and from 2012-2016 she devised/produced a 4-year/4-city multi-arts collaborative project; The Ontario Shebang. In 2018 she created The Welcome Project, addressing inclusion and cultural literacy based on internal and external challenges faced by Newcomers to Canada, and extends this unique practice to include others who are new to dance and interpersonal art experiences.

I Post Therefore I am with Freya Björg Olafson
I Post Therefore I am with Freya Björg Olafson
Engagement with everyday digital media is central to Olafson’s praxis investigating contemporary culture and the body as inextricably linked with technology. Through exhibitions of video art, installations, and large-scale performance, Olafson pushes boundaries by subverting technology, and questions embodied interactions with media and the making of media art. In this session Olafson will share past projects that led to their current interest in VR, AR, and XR. Throughout their work across mediums/forms, hybridity has been central to Olafson’s work wherein she centers expanding binary understandings of concepts such as real/virtual, physical/digital and gender. Having experimented with online web camera performances since 2007 Olafson will reflect on both the possibilities of performance today as well as the future.
