C’i:talu tu Snuneymuxw mustimuxw ni hawkwush us tun tumuxw.

We give our highest gratitude and appreciation to the people of Snuneymuxw for allowing us to gather on their territory for our work

Welcome to the OUR HYBRID FUTURE Symposium portal!

On this page you will find all recordings and additional information related to the sessions of the OUR HYBRID FUTURE Symposium taking place between Thursday September 9th, 2021 to Thursday, September 23rd, 2021.

Welcome to the OUR HYBRID FUTURE Symposium chat

This chat has been created in the hopes to stimulate conversation and for participants to further discuss topics related to the OUR HYBRID FUTURE Symposium.

Please feel free to add your comments and/or ask questions to the presenters or Crimson Coast Dance Society. We also encourage you to share your thoughts and engage in peer discussions.

Crimson Coast Dance Society is committed to creating safe spaces for all.
All discussions, comments and/or questions must remain respectful. Any content deemed as bullying, inappropriate or disrespectful will be deleted.

How to participate:

  1. Please choose a colour to indicate your identity.
  2. Highlight your questions or comments in that colour in order to clarify who is commenting and make communication easier
  3. Prior to making a comment and/or asking a question please indicate your name and the date and who you are addressing.
  4. Ask and comment!

Explore the Sessions

Exploring the new digital territories
for Contemporary Dance with Gilles Jobin

Contemporary dance offers an ideal field for the artistic exploration of new imaging technologies. In this lecture Gilles Jobin will present the creative process behind his recent virtual works. Based on his recent experience with immersive volumetric technologies he will share with the participants his vision about the new digital territories for dance.

Gilles Jobin is an award-winning contemporary dance choreographer fascinated with new image technologies. In 2017 he creates VR_I and with his Geneva based dance company he creates digital dance pieces such as Dance Trail (AR) and La Comédie virtuelle-live show (multi user VR), his work is regularly invited in international festivals such as Sundance Film Festival, Venice Film Festival. Since the pandemic his company is fully digital and focusing on the creation of remote real time performances and collaborations.
Gilles Jobin (he/him/his)
Artistic Director / Choreographer / Dancer / Filmmaker / Producer Lives and works in Geneva, Switzerland

Creating Immersive Dance in 360 and XR Media with Lee Erdmann

Here we are in 2021 in the magic space where technology, media and performance congregate. The pandemic has fueled the innovation of new methods of making and viewing performance into warp speed, and artists are seeking new methods and experimenting with it all. VR headset uptake has spiked and the immersive media market is booming across all sectors, set to be the fastest growing media platform by 2025 with 360 video at the top. Training, education, medicine and healing, manufacturing…all are seeing the value of remote access immersive experiences. Prosumer equipment is affordable and accessible, and social media has moved into the Metaverse as have conventions, festivals and even dance competitions. The industry framework is here and ever improving in cost and accessibility for dance and performance creators to take advantage of it by increasing access to the arts, lifting up independent artists and giving performing arts a global audience at a fraction of the live ticket price. Let’s talk about why performing art needs immersive media and why XR needs the expertise of performing artists, the crossover between dramaturgy and cinematography, and how anyone can get started creating and innovating.
Lee attained her MA (Distinction) from Staffordshire University’s Film and Media Studies program and is an academic mentor for Raindance’s post grad program. Possessing a solid background in theatre and film, Lee is focused on merging her love of both the visual and performance mediums by exploring and creating short format content with VR and 360 media. Lee advocates for the inclusion of diverse collaborators from the arts as crucial to the development of immersive and extended technology which straddles the divide between dramaturgy and cinematographic practise and approaches. She is also one half of Van Rooi Productions which produces cinematic content that seeks to tell visual stories that illuminate the concept of identity in our postcolonial culture. Lee is currently developing a narrative dance series in cinematic VR that centres around reconnecting with the earth as a pathway to healing, and landscape as a metaphor in the stages of feminist self-actualisation. You can see her performing live in VR as a lead in “The Severance Theory: Welcome to Respite” (Ferryman Collective/CoAct), a ground breaking immersive theatre production in VRChat during the 2021/22 film festival season (Tribeca, Venice Biennale, Raindance and more).
Lee Erdmann (she/her/hers)
Actor, Dancer, Choreographer and Filmmaker | MA, ACTRA, CCA, DTRC Toronto, ON, Canada

Firehorse and Shadow with Andrea Nann

Firehorse and Shadow, an interactive web performance, combines elements of contemporary dance, shadow puppetry, interactive engagement, animation, film, and theatre to take the audience on a journey amongst the stars.

The piece explores family lineage with a focus on the dualistic yin and yang elements expressed within the bodies, lives and choices of three generations of women. Working against and alongside the hearsay of family stories and Chinese medicine cycles and charts of Zodiac Animal signs, two performers weave together passages of remembering and forgetting, inviting the audience into an intimate reanimation of familial memory. The performance is designed for computer users to experience an intimate, interactive and personalized performance journey.

Andrea Nann creates work for the stage, film and outdoor sites; investigating contemporary approaches to creation through collaboration with individuals from all artistic disciplines. Andrea devises, constructs and delivers movement based opportunities for diverse peoples to come together and share unique lived experiences. Through her work she enlivens Dreamwalker’s invitation to awaken and experience ones self and the people and places around each of us; increasing potential for human connection, communication and originality. She dances to reach across distance, to experience others in celebration of possibility, diversity, connection and belonging. She is curious about how the intangible can be observed and given physical form in time, choreographed action, and setting. Andrea believes that dance can shift attitudes and ways of being, tuning us into what makes each of us distinct, to what we share, and ultimately how we can live together in wonderment and peace.

A graduate of York University’s Department of Fine Arts, Andrea was a member of the Danny Grossman Dance Company for 15 years from 1988-2003 where she created, performed and taught major roles from te works of Mr. Grossman and guest choreographers. Over a 31-year career in contemporary and modern dance, she has contributed to the creation of new works by over 60 dance/theatre creators. She continues to appear as a guest artist with Peggy Baker Dance Projects, Tribal Crackling Wind and Volcano Theatre. Long-time creative collaborators include dance artist Sarah Chase, musician Gord Downie, and writer Michael Ondaatje. From 2004-2015 Andrea created/produced 9 editions of multi-arts program The Whole Shebang and from 2012-2016 she devised/produced a 4-year/4-city multi-arts collaborative project; The Ontario Shebang. In 2018 she created The Welcome Project, addressing inclusion and cultural literacy based on internal and external challenges faced by Newcomers to Canada, and extends this unique practice to include others who are new to dance and interpersonal art experiences.
Andrea Nann
Andrea Nann (she/her/hers)
Contemporary dance artist and founding artistic director of Dreamwalker Dance Company

I Post Therefore I am with Freya Björg Olafson

Engagement with everyday digital media is central to Olafson’s praxis investigating contemporary culture and the body as inextricably linked with technology. Through exhibitions of video art, installations, and large-scale performance, Olafson pushes boundaries by subverting technology, and questions embodied interactions with media and the making of media art. In this session Olafson will share past projects that led to their current interest in VR, AR, and XR. Throughout their work across mediums/forms, hybridity has been central to Olafson’s work wherein she centers expanding binary understandings of concepts such as real/virtual, physical/digital and gender. Having experimented with online web camera performances since 2007 Olafson will reflect on both the possibilities of performance today as well as the future.

Freya Björg Olafson is an intermedia artist who works with video, audio, animation, motion capture, XR, painting, and performance. Her praxis engages with identity and the body, as informed by technology and the Internet. Their work has been exhibited and performed internationally at the Bauhaus Archiv (Berlin), SECCA – SouthEastern Center for Contemporary Art (North Carolina), LUDWIG museum (Budapest), and The National Arts Center (Ottawa). In spring 2020 Olafson was one of the longlist ‘Sobey Art Award’ recipients and in July 2021 was selected for the Lumen Prize for Art & Technology longlist. Olafson holds an MFA in New Media from the Transart Institute / Donau Universität and joined the Department of Dance at York University as an Assistant Professor in July 2017. As of July 2021 she is an Assistant Professor in Digital Media at the University of Manitoba School of Art.
Freya Björg Olafson (she/her/hers – they/them/their)
Intermedia artist who works with video, audio, animation, motion capture, XR, painting, and performance. Winnipeg, MB, Canada